11.68

Sunday B. Morning’s *11. 68* distils the visual language of post-war Pop into a crisp, concept-driven object, where seriality and surface become the subject. Employing meticulous screenprinting and a deliberately polished finish, the work mobilises repetition, chromatic punch, and graphic immediacy to test the boundaries between homage, authorship, and reproduction.

The title reads like a datum—suggesting measurement, editioning, or an archival index—reinforcing the work’s cool, systems-based logic. Situated within the lineage of Warhol-adjacent production while maintaining its own contemporary clarity, *11.

68* speaks to today’s image economy: endlessly circulated, recontextualised, and desired. A compelling example of Pop’s enduring cultural relevance in the era of mechanical and digital duplication.